Love war, earthly chaotic

In the past two days, I saw the Condor Hero again (hereinafter referred to as A). The feeling is different from seeing the sound of the Horse (B) The Dragon and the eight parts (C). Generally speaking, I didn’t rush to see these movies again. I didn’t rush when I saw B again. I only saw Level 10 and didn’t see it. Because of the triangle relationship, I was confused. A didn’t rush, after reading. C didn’t rush, and thought for A long time after watching A. Why can I naturally watch A and C instead of B? The general reason is as follows: from the perspective of difficult hero, the main character in A has A clear purpose that Yang Guo wants to live with his aunt forever. In B, Kou Yingjie should not have an obvious purpose. C purpose is also clear to Qiao Feng, for the world. Duan Yu said that the girl he liked was the only one and clear, but still ranked first in the world. From ancient to modern times, men are either the first country, or the first beauty. But you have to be clear and direct. In A, Yang Guo fell in love with his aunt (in fact, his aunt was younger than him, and there was no blood relationship between them). Although he was not allowed by the secular world, he dared to be direct, obvious and resolute, love for sure. In C, Qiao Feng didn’t have too many female relationships, but he always took the country as his ideal, unchanged and firm. Although Duan Yu had many girls who liked him, the girl he liked was the only one, and he still expressed clearly and directly, and he would refuse directly and firmly when needed. B is not very good. Kou Yingjie, you said he was moving for the country, but you didn’t see him abandoning women for the country. You said he was a woman, but he didn’t see him directly, definitely, obviously rejecting another girl for the woman in love. Personally, I don’t like watching B’s type TV series the most. For example, there are wind and cloud. If a man abandons or rejects girls one after another for the sake of the country, I think someone may think he is wrong, but he will never think he is wrong. It should be the same for a man to abandon the country and other girls for a woman (not in troubled times). The last type of movie I want to watch is the type of entanglement and entanglement. No matter whether the ending of the movie is tragedy or success, the tragedy of tangled love and entanglement is worthless. For example, the heroine is loved by two boys at the same time, while she likes one and loves the other. But she refused the one she liked directly, clearly and definitely. The ending must be tragic and worthless. For example situation. If the hero is like this, the result is the same without value, such as B. Personally speaking, Fengyun and Yunyun are both excellent. It is also possible that I will like a girl at the same time, and there is nothing wrong with it. There is a plot that the wind and cloud duel with each other. Is this valuable? Some tragedies are created by the times and there is no way, and tragedies can only be helpless. Some tragedies are man-made (they cannot be controlled by themselves). To put it simply, if there is someone drowning in the river, your water is generally high, do you want to go down to save? (There is no one around, you are a very good ordinary person, who doesn’t know what kind of drowning person is), if you say you go down to save, then it is wrong. No matter what the ending is, your starting point is wrong. In a simple explanation, you are an ordinary person, and there will probably be these four endings: 1 he was saved, and so did you. 2 he was rescued, but you didn’t come up. 3 he didn’t come up, you came up. 4 he didn’t come up, neither did you. Back to the question just now, for example, the girl in the storm, as long as she firmly, definitely and explicitly refuses one, there will be no such tragedy. That tragedy is man-made and has no value. Here we can give an opposite example, such as Liang Shanbo and Zhu Yingtai. The same two boys like Zhu Yingtai. But Zhu Yingtai refused one directly and definitely. The final tragedy cannot be controlled. Their tragedy is valuable. After reading the Condor Heroes, I thought that there was a reason why classics were classics. The so-called chivalrous people do valuable things. Even if you want to bleed, you have to sacrifice. I have been thinking for a long time, is the TV series getting worse and worse, or am I becoming more and more numb to things when I grow up? There are tragedies everywhere in this world, especially in the relationship. I don’t know what a movie or a work should express to be a classic, but I know that a classic must express something, and firmly, definitely, clearly pursue and pay. Li Shangyin’s poems are very chaotic, but personally I think they are very classic. For example zither. Although he didn’t express anything clearly, people who read those poems always felt something, and it was affirmative and clear. Personally, when I read that poem, I feel my ideal. No matter what you feel, I think you should definitely and clearly feel it. Value has no size, but whether value exists or not. In this world, it is too chaotic. For some things, others cannot feel why you are, but others can feel whether you are sure of why. The world was so chaotic that she gave him a lifetime carelessly. Not determined to leave, not sure to go. What else could be left to me except for the pain of love and worry. I don’t know why I am sink here, and I don’t even know why I am sink here firmly for something. Maybe we should find something. I am writing here tonight as always, because I am sure about writing things.

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