From the perspective of music appreciation (piano stage art)

In the second training session of the provincial national tax Union Cadres, one class was arranged for music appreciation. The teacher started with serious music and gave his own opinions from the perspective of the relationship between literature and music, in the continuous playing of music clips, students can distinguish the different applicability of music and experience the emotional expression of music, saying that a piece of music is not fixed. On a TV, or in a program, the director will arrange it in the required place according to the needs of the plot. The music itself has no literariness, and the melody of the music has expressiveness, the content it expresses achieves the expected purpose through the experience of the appreciator in a suitable occasion and a suitable program, and literature and a piece of music are not connected. According to my personal understanding, literature and music have something to capture spirituality, which is the understanding of spiritual level. A piece of music is played and listened in suitable occasions, and the author identifies and understands it, writing Words to interpret its significance in society may turn into literature. For example, the simplest example is that according to the needs of emotion, human beings cannot play cheerful music in sad burial occasions and funeral music in festive occasions. Music itself has no literariness, but all the expressive force of music in different social occasions has the charm of being derived from life, higher than life and expressing life. At that moment, we should observe, describe and express from the perspective of literature. Analyzing from the aspects of humanity, geography, economy and so on, it has a strong literariness. For example, folk songs in northern Shaanxi, on the evening of the day when Labor Union students reported for duty (July 14th), Yulin State Administration of Taxation and Yulin training school invited several folk song singers to hold a welcome banquet, from the singing of folk songs and the banquet style, I left a preliminary impression on the people in northern Shaanxi in my heart: enthusiasm, hospitality and simple folk customs. The high-pitched and lyric of folk songs in northern Shaanxi determines that the literariness of this land in northern Shaanxi lies in the particularity of the Loess Plateau. Its emotional expressions are direct, unobtrusive, with free and unrestrained tone and unrestrained emotion. Judging from the singing of labor union cadres in other cities in Shaanxi, they just follow the example of songs, which have the universality of national songs, the local tone is not strong, and the source of creating songs is lacking, at the same time, it compares the advantages of folk songs in northern Shaanxi in creation, reflecting the regional characteristics and cultural customs of northern Shaanxi, which is different from the stable customs of Qinchuan eight hundred miles in Shaanxi. Xintianyou, constantly head, broken head can’t relieve sorrow. This is a saying spread among the folk in northern Shaanxi. When the car set out from Yulin City the next day and drove into the curved Gou to Jia County and Mizhi, the land along the road was barren and the harsh living environment made me sigh with emotion a lot, although the living conditions have been improved now, compared with the outside world, the caves along the road and the farmers working make me not feel optimistic. The loess is not yellow, but somewhat like Frost, sorrow seems to be mixed and complicated, which continuously hits my head. Strange mountains and valleys, there was a decent fertile soil, which made me lose confidence immediately. I didn’t know how many turns I had made. I saw a jujube forest on a wall. On the slope, at the top of the ridge, in the ditch, in front of the kiln and behind the house, my stubborn body was swaying and growing, I was shocked. I saw the living spirit of the people in the yuan district of northern Shaanxi province, the responsibility of ancestors and generations to the fate and the unremitting challenges. It can be imagined that on this plateau of water shortage, lack of fertilizer and lack of nourishment, the hardship of individual life experience and the suffering of life need to be released, and it can’t be stuffy in the ravine, will suffocate man. Love and bitterness, joy, pain, sadness, missing, expectation and other feelings need to be expressed. Standing on the high ground, you can shout a few letters and travel, and your heart will be as comfortable as wandering around the world. Male: I want to kiss, my wrist is soft, ah, hey, I can’t hold the bowl with a chopstick, ah, hey, female: I want to kiss, I think my heart is full of flowers and flowers, ah, ah, ah, ah, I cooked dumplings, and I ordered a pot of yam which egg, ah er, ah er, ah er, ah er, ah er, ah er, ah er, ah er, ah er, ah er, ah er, ah er, ah er, ah er, ah er, ah er, your mother hit me two pot lids, ah er Yao; Female: Miss you, miss you, Shige is missing you, ah, ah, ah, ah, I haven’t eaten rice one by one for three days, ah, ah, ah. When I was appreciating and learning to sing this song in the conference room, I felt ridiculous that the expression was too straightforward and the emotion was too explicit. When the car got into the channel, my understanding broke through. Thinking of the expectation of a poor man for love in those years and the expression of love of a cave dwelling woman, in such a constantly turning mountain road, the meeting will be missed in the blink of an eye, if you are too implicit, you will miss your lifetime marriage. Just be straightforward. Seizing the opportunity to express will win love and trust, and the real power will surpass everything. The love songs in northern Shaanxi are more bold, straightforward, real and melodious than those in northern Shaanxi. At the same time, they also illustrate the psychological confession of people in mountainous areas in northern Shaanxi to pursue freedom and happiness under difficult living conditions, regional conditions or ditches or roads or slopes or cliffs, with few people and wild mountains, sing whatever you want, which is the place where folk songs come into being. Singing with roughness, high tune and Echo makes you feel full of emotion, no surprise. A road that Slope Slope, ai yo yo Hey, under a beam, ah ah, remembered the little sister, ai yo yo Hey, good palpitation Hey Hey, you don’t go to the station on the bank of the cliff to pick out vegetables. Ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah, you are on that mountain, ah ah ah ah ah ah, I am in that ditch, and I can’t find the Talker. Hey, hey, hey, hey, hey! Although I don’t know how to sing Northern Shaanxi folk songs, I think it is better than the Northeast duet, with strong national characteristics and great life tension, make people think of the value of individual expressive force in a tough environment. Especially after visiting Northern Shaanxi in person this time, I feel that the charm of northern Shaanxi folk songs lies in the spirit of an unyielding nation struggling with fate and creating an image of drum trumpeter standing on the cliff, blow the horn of China’s advancement. Collecting folk songs in northern Shaanxi and refining Chinese elements, the cultural symbols are obvious. In northern China, from history, military, politics to current economy. Cannot be underestimated. Lin Cui incense 2011.7.27

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